Orla dropped down to the studio for quick test shoot. It is been 2 years or so since her last shoot and even longer since our very first ever shoot. Check out all my shoots with Orla here.
Orla Murphy in Studio
Orla Murphy was back in my studio recently for some fresh shots for her portfolio with Assets Book. It was a great opportunity to try out some new ideas while perfecting old ones. It has been over a year and a half since my last shoot with Orla, things have changed a lot for me since then in terms of now having a studio. It was great working with Orla, Julie and Umit on that shoot. This time around, were going for an “on white” look . On white being a simple white background and putting all the focus on Orla.
Shooting on white seemless is very easy and hard at the same time. It’s easy to do, lighting wise that is. You have a few options in which to do it, but it usually goes along the lines of blasting the background with light to blow it out and then adding a key light. Another way to do it is to just use one light and allow the background to drop to a shade of gray and allow a shadow on the background. The option for this shoot was the super bright white one.
Julie Caulfield was onboard again this time for hair and make-up duties. Julie is doing great these days. She is doing a lot of Make-up work for tv and she has a little fashion business on the side also, selling Vegas Showgirl Costumes. Check it out: Love Jewels
Orla Murphy – First Encounter
2011 got off to a great start in terms of shoots. With shooting Hannah recently, Orla here and with other shoots organised, it will be a busy year. The plan for this year is to up the game more and to really improve on the shots. Part of that plan included doing more shoots with a full team (Hair, Makeup, Stylist etc. ) and agency models. Orla is signed with Assets and have been doing quite well for her self. She is a beautiful girl and has a great personality to match. We were shooting pieces by award winning Fashion Designer Umit Kutluk.
I met Umit last year through the DIT fashion show and always kept him in the back of my mind for a shoot. When I confirmed the shoot date with Orla, I then got in touch with Umit to finally get around to shooting with his stuff. That is the great thing about networking and making contacts, if opens up opportunities for collaborations projects.
Hair and Makeup was done by the fabulous Julie Caulfield. Julie really knows her stuff when it comes to makeup. She done a fantastic job with Orla as the shots shoe. Even the close up shots turned out great. Normally you can spot bad makeup in tight head shots because the shot is so close, you can see every little detail. The shoot was a fail in one sense, yet a success in others. The main goal of the shoot was to get some nice outdoor shots shots and some swimwear. However the epic fail came in the form of weather. It was lashing rain pretty much all day. Do it really did kick the plans in the nuts. I had some really nice ideas to. One idea for the brown feather dress was to shoot it in a wood that is located near the house. It would have been far easier to cancel the shoot, but you are never really guaranteed the weather. And if there was a spell of good weather coming up, the chances of getting every one together again would be slim. Ah well. So instead of nice shots out side, the thinking cap had to start working and come up with a couple of different looks, indoors. The location was my house in Wexford, which I have used in the past for shoots. I don’t like using the same location for shots, so I was running out of fresh rooms to shoot in. Luckily, I saved some of the best locations till last. These include the garage and a room a hallway that has the deer heads. It is a great skill to be able to land on a location and to be able to come up with some shot ideas and make the most of it. I am slowly getting better at it. No matter how bad a location could be, there is always a shot to be had, you just have to picture it. Picturing it with different light, with the background out of focus, close ups etc. After a while you will see things with a different eye. The hallway was a great location, the stag heads are very unusual great. Some times, you have great locations, but you unless you have the cloths to match, then it might not look as good as it could be. In this case though, it worked out good. We managed to get two slightly different looks looks in. The pants stayed the same in both, but the tops were exchanged.All the cloths were made by Umit him self. He is very talented.
After an hour or so in the hall, we want to change look and location. As we were heading back to the room to change make-up and outfit, the thinking cap was back on. It was still raining, so i was thinking of ways in which I could protect the flashes…. still wanting to get some out door shots. I took another look out the window and eventually conceded that there would just be no outdoor shots today. So back to thinking about indoors. I liked the look of another hallway, upstairs this time. There was a nice lamp on a table along with some flowers that worked well. I thought that the red of the carpet and yellow of the walls would contrast nicely to the white of one of the outfits, so we got to work. While the lads were preping Orla, I was setting up the shot. I was looking at it from either side, trying to see which way I liked best. I was taking some times into consideration also, things that I had learned from previous shots. These included the background, a place to hide lights, ambient light features, furniture etc etc. I chose the angle that you see below mainly due to the options it game me for placing a light. Those with a keen eye will recognised that the black and white portrait above was shots at the same time as this series.
Next stop, it was to the garage to capture the bird dress. While we were out there, we shot the casual, jeans shots also. These turned out nice as there was a bit of blue spay paint on the garage doors that matched in well with the outfit.
I will finish up with the head shots. I am really happy with how these turned out. I tried out a new head shot lighting setup for the first time, and I really like the quality of the light from it. It is super soft and very flattering. I will be posting up some behind the scenes shots at a later date, which will include details on the lighting set up. If you have any comments or questions, you can hit the comments link below and can fire away there. Check back again soon for the behind the scenes shots and lighting setups.