A Day with Hannah

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You might remember this lady from a previous shoot. I originally shot Hannah on Portmarnock beach in June ’10 for some surf / beach shots. Since then, Hannah has been signed with Galway Catwalk Model Agency. Although the beach  shots went down very well with the agency and it was enough to get her signed, they need to see more range in her portfolio.  We managed to organise a full days shooting ( about 14 hours in total) to get as many looks as we could to widen the range on the portfolio.

The brief was to get a good mix of headshots, fashion, lingerie, casual and other shots. We done pretty well in covering the brief, as the images show. We had the assistance of a professional Makeup Artist and Hair Stylist, Rachel Cleary and Conor Clinch was assisting me for the day. It was a good team for the day, which was very cold and long. Styling advice was also provided by Jennie Moore, who could not be with us on the day.

The locations being used were around the Ballsbridge area. Shooting out doors is great, because every corner you turn there is a new location that you can use. The only problem is that you can not control the weather. We battled the cold, which was ok, we fought against the wind, which was awkward at times with hair and we went to war with rain… which was going to mess with the gear. Despite it all, the team did well, didn’t complain and the shots turned out good. We ended up taking 400ish frames through out the day and managed to pick out the top 40 or so images. These images were whittled down again even further until we were happy with them and the editing then began. I picked my favs, or what I thought were the best of the day and they are the ones that you are seeing here now.

The stream of photos above are the best of the day and are actually in reverse order of when they were taken. So if yo wanted to imagine the days photos start in the bedroom, then Hannah gets up out of bed and beginning her day.  The day started off with nice sunny spells (along the canal) but it only lasted a few hours as by the time we got back to the hotel then cloud cover was patchy and rain was on the way ( jump suit shots).

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Having a Hair & MUA on set during a shoot make a huge difference to the outcome of the final images, like wise with the calibre of the model, which should be evident on this shoot. Both model and MUA worked very well. Having the model and MUA been good friends was an added bonus and it made the day go by that bit quicker.

 

My work is getting to the stage now where its the model who can influence the image more than I can. In terms of pose, attitude and general look etc. A photographers vision and direction giving are one thing, its the model’s interpretation and execution of those directions that makes the difference. Some models can get what you are trying to go and go with it. Some even put their own little twist on it and make it their own. When that happens, its great.

The same goes for the MUA and Hair. As I get better at the technicalities that goes along with taking the pictures, it would be fair to assume the same level of skill from MUA’s and Hair Stylist.  The really needs to be perfect as there is no sense in having to spend a lot of time afterwards fixing it in photoshop.

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As you can see from the shot on the left, the make up is pretty spot on. Generally I am not a fan of photoshop, or to be more specific – retouching. Retouching being the editing of skin, spots and patchy makeup etc. Stuff like making legs and arms and legs smaller is time consuming. It is time spent sitting at a computer when I would much rather be out taking more photos or indeed doing other stuff.

I don’t mind processing images as much. Processing the colour corrections, contrast and brightness etc of images. Converting images to B&W is also something that I don’t mind doing, once the image lends it’s self to be converted to mono. Some images looks good in black and white, some don’t.

The lighting setups for this shoot by the way, will be going into another post over the next few weeks. I have a bit of a back log of photos to edit ( see 2 paragraphs up… last line) and once I have all that cleared, I will then compile setup info for all the shoots from as far back as Caroline.

All in all, I was very happy with this shoot. We managed to cover a lot over a short space of time and all the team got plenty from it for their portfolios and experience. I got a chance to try out some new lighting setup, one of which is similar to the inspiration post from a few weeks ago. I look forward to working with Hannah again when she is a famous top model 🙂

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Just a another shout out to Rachel who done the Hair and Makeup, check her out. She is available for hire for commercial and domestic work. Also, cheers to Conor for helping out. I hope that he learned a thing or two. Even at 15, he has got skills, more than I did at 25, so keep it up Conor.

I am going to end this post on a nice quote I seen on twitter to describe photography. I thought it was a great description, at least for me:

“Photography is for people without manual artistic talent”

Thats all for now, hit the comments link below if you want to leave or view the comments.

Credits:
Hair & Mua: Rachel Cleary – Facebook: FaceBook or her Blog
Photography Assist: Conor Clinch – http://conorclinch.com/
Style Advisor: Jennie Moore – http://fadingintofashion.blogspot.com/

 

Hannah Healy on the Beach

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Here are the final images from a shoot with Hannah Healy out at Portmarnock beach recently. Hannah was also in DIT and we meet through the Fashion show. Hannah is a surf chick so it was a great theme for a shoot. She came all the way over from Galway with her board to shoot with me for a few hours.

I was using my Nikon D40 as usual with the 35mm 1.8 AF-S Lens. In front of the lense was a Hoya circular polarizing filter. It’s pretty much my standard setup these days when shooting out doors. Other bits of kit used on the shoot were basic reflectors, gold side used and my trusty strobes. The strobes has 1/2 cto gels on them to balance for ambient light and they were triggered by either the radio trigger or optical slave.


The above two images were from the later end of the shoot. They veered from the surf theme a bit and we tried a bit of a more of a fashion look. We only spent 10-15mins on this look as the light was fading very fast behind her. The lighting set up is fairly basic, just two strobes at either end of her, ask described in the diagram below:
The power of the left one would have been in the 1/2 range. The wide angle adaptor was used, so that and the gel took a bit of light power. The right strobe was any where from 1/2  in the top frame I think and 1/8 in the second. Although the right light in the top frame is a little hot, I kinda like the effect and the resultant lens flare.

I like this shot. I adjusted the various colour channels in light room to get the right black and white conversion. The lighting on this shot is coming from camera right, the sun and camera left, gold reflector.  It was just the two of us on the shoot so no assistances to help out. I some how managed to eye up a shot in the camera with the right hand and then lean over and use a small reflector in my left and to put some light on her face, took a few attempts but we got it eventually 🙂

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We were playing around with various angles for this one. Hannah moved the board to the middle of her face and it caught my eye, so I thought there was a shot in it. The sun is coming in from the rear left, so the face is underexposed. I set up the flash just behind my left shoulder on a stand to provide some fill on her face. You can make it out in the catch light on her eye on the bigger version.

I like the shot above, the light turned out great. Just one strobe camera left and the sunlight camera / rear left. This shot is very neat straight out of camera. Could nearly be confused with something from a magazine 🙂